Pleisochronous would like to investigate the deep field of aesthetic of failure and microsounds through improvisation without using an immediatly recognizable musical language. Every track is created through a generative patch i've written in maxmsp that allow the musicians to create evolving textures, noisefields or sonic grids, in real time. For this experiment i've decided to putting aside every kind of post-production or editing process to find the outmost of digital improvisation. Pleisochronous, originally conceived for quadrophony, is the "sonic" part of a larger and "work in progress" project that also involves images generated with the same criteria and strictly connected to sounds.
